*
* Switzerland is a small, steep
country, much more up and down than
sideways, and is all stuck over with
large brown hotels built on the
cuckoo clock style of architecture.
* My attitude toward punctuation is
that it ought to be as conventional
as possible. The game of golf would
lose a good deal if croquet mallets
and billiard cues were allowed on
the putting green. You ought to be
able to show that you can do it a
good deal better than anyone else
with the regular tools before you
have a license to bring in your own
improvements.
* God knows, people who are paid to
have attitudes toward things,
professional critics, make me sick;
camp-following eunuchs of
literature. They won't even whore.
They're all virtuous and sterile.
And how well meaning and high
minded. But they're all
camp-followers.
* I wonder what your idea of heaven
would be — A beautiful vacuum filled
with wealthy monogamists. All
powerful and members of the best
families all drinking themselves to
death. And hell would probably an
ugly vacuum full of poor polygamists
unable to obtain booze or with
chronic stomach disorders that they
called secret sorrows.
* To me a heaven would be a big bull
ring with me holding two barrera
seats and a trout stream outside
that no one else was allowed to fish
in and two lovely houses in the
town; one where I would have my wife
and children and be monogamous and
love them truly and well and the
other where I would have my nine
beautiful mistresses on 9 different
floors and one house would be fitted
up with special copies of the Dial
printed on soft tissue and kept in
the toilets on every floor and in
the other house we would use the
American Mercury and the New
Republic.
* Write me at the Hotel Quintana,
Pamplona, Spain. Or don't you like
to write letters. I do because it's
such a swell way to keep from
working and yet feel you've done
something
* I've tried to reduce profanity but
I reduced so much profanity when
writing the book that I'm afraid not
much could come out. Perhaps we will
have to consider it simply as a
profane book and hope that the next
book will be less profane or perhaps
more sacred.
* In the fall the war was always
there but we did not go to it any
more.
* Well, Fitz, I looked all through
that bible, it was in very fine
print and stumbling on that great
book Ecclesiastics, read it aloud to
all who would listen. Soon I was
alone and began cursing the bloody
bible because there were no titles
in it — although I found the source
of practically every good title you
ever heard of. But the boys,
principally Kipling, had been there
before me and swiped all the good
ones so I called the book Men
Without Women hoping it would have a
large sale among the fairies and old
Vassar Girls.
* The good parts of a book may be
only something a writer is lucky
enough to overhear or it may be the
wreck of his whole damn life — and
one is as good as the other.
* That terrible mood of depression
of whether it's any good or not is
what is known as The Artist's
Reward.
* Grace under pressure
* I've been in love (truly) with
five women, the Spanish Republic and
the 4th Infantry Division.
* Eschew the monumental. Shun the
Epic. All the guys who can paint
great big pictures can paint great
small ones.
* When you have shot one bird flying
you have shot all birds flying. They
are all different and they fly in
different ways but the sensation is
the same and the last one is as good
as the first.
* Our nada who art in nada, nada be
thy name thy kingdom nada thy will
be nada in nada as it is in nada.
Give us this nada our daily nada and
nada us our nada as we nada our
nadas and nada us not into nada but
deliver us from nada; pues nada.
Hail nothing full of nothing,
nothing is with thee.
* That is what we are supposed to do
when we are at our best — make it
all up — but make it up so truly
that later it will happen that way.
* Here is the piece. If you can't
say fornicate can you say copulate
or if not that can you say co-habit?
If not that would have to say
consummate I suppose. Use your own
good taste and judgment.
* Don't you drink? I notice you
speak slightingly of the bottle. I
have drunk since I was fifteen and
few things have given me more
pleasure. When you work hard all day
with your head and know you must
work again the next day what else
can change your ideas and make them
run on a different plane like
whisky? When you are cold and wet
what else can warm you? Before an
attack who can say anything that
gives you the momentary well-being
that rum does?... The only time it
isn't good for you is when you write
or when you fight. You have to do
that cold. But it always helps my
shooting. Modern life, too, is often
a mechanical oppression and liquor
is the only mechanical relief.
* All modern American literature
comes from one book by Mark Twain
called Huckleberry Finn... American
writing comes from that. There was
nothing before. There has been
nothing as good since.
* I've seen a lot of patriots and
they all died just like anybody else
if it hurt bad enough and once they
were dead their patriotism was only
good for legends; it was bad for
their prose and made them write bad
poetry. If you are going to be a
great patriot, i.e., loyal to any
existing order of government (not
one who wishes to destroy the
existing for something better), you
want to be killed early if your life
and works won't stink.
* Kilimanjaro is a snow-covered
mountain 19,710 feet high, and is
said to be the highest mountain in
Africa. Its western summit is called
by the Masai "Ngàje Ngài," the House
of God. Close to the western summit
there is the dried and frozen
carcass of a leopard. No one has
explained what the leopard was
seeking at that altitude.
* However you make your living is
where your talent lies.
* The rich were dull and they drank
too much or they played too much
backgammon. They were dull and they
were repetitious. He remembered poor
Julian and his romantic awe of them
and how he had started a story once
that began, "The very rich are
different from you and me." And how
someone had said to Julian, "Yes,
they have more money."
* Ezra was right half the time, and
when he was wrong, he was so wrong
you were never in any doubt about
it.
* There are events which are so
great that if a writer has
participated in them his obligation
is to write truly rather than assume
the presumption of altering them
with invention.
* I don't like to write like God. It
is only because you never do it,
though, that the critics think you
can't do it.
* Cowardice, as distinguished from
panic, is almost always simply a
lack of ability to suspend the
functioning of the imagination.
* In going where you have to go, and
doing what you have to do, and
seeing what you have to see, you
dull and blunt the instrument you
write with. But I would rather have
it bent and dulled and know I had to
put it on the grindstone again and
hammer it into shape and put a
whetstone to it, and know that I had
something to write about, than to
have it bright and shining and
nothing to say, or smooth and well
oiled in the closet, but unused.
* All my life I've looked at words
as though I were seeing them for the
first time.
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**
Somebody just back of you while you are
fishing is as bad as someone looking
over your shoulder while you write a
letter to your girl.
* A man's got to take a lot of
punishment to write a really funny book.
* The age demanded that we dance
And jammed us into iron pants.
And in the end the age was handed
The sort of shit that it demanded.
* You see it's awfully hard to talk
or write about your own stuff
because if it is any good you
yourself know about how good it is —
but if you say so yourself you feel
like a shit.
* Do you remember how old Ford was
always writing how Conrad suffered
so when he wrote? How it was un
metier de chien etc. Do you suffer
when you write? I don't at all.
Suffer like a bastard when don't
write, or just before, and feel
empty and fucked out afterwards. But
never feel as good as while writing.
* It's enough for you to do it once
for a few men to remember you. But
if you do it year after year, then
many people remember you and they
tell it to their children, and their
children and grandchildren remember
and, if it concerns books, they can
read them. And if it's good enough,
it will last as long as there are
human beings.
* Scott took LITERATURE so solemnly.
He never understood that it was just
writing as well as you can and
finishing what you start.
* I started out very quiet and I
beat Mr. Turgenev. Then I trained
hard and I beat Mr. de Maupassant.
I’ve fought two draws with Mr.
Stendhal, and I think I had an edge
in the last one. But nobody’s going
to get me in any ring with Mr.
Tolstoy unless I’m crazy or I keep
getting better.
* Wars are Spinach. Life in general
is the tough part. In war all you
have to do is not worry and know how
to read a map and co-ordinates.
* Writing and travel broaden your
ass if not your mind and I like to
write standing up.
* I am opposed to writing about the
private lives of living authors and
psychoanalyzing them while they are
alive. Criticism is getting all
mixed up with a combination of the
Junior F.B.I.-men, discards from
Freud and Jung and a sort of
Columnist peep-hole and missing
laundry list school.... Every young
English professor sees gold in them
dirty sheets now. Imagine what they
can do with the soiled sheets of
four legal beds by the same writer
and you can see why their tongues
are slavering.
* I still need more healthy rest in
order to work at my best. My health
is the main capital I have and I
want to administer it intelligently.
* You know lots of criticism is
written by characters who are very
academic and think it is a sign you
are worthless if you make jokes or
kid or even clown. I wouldn't kid
Our Lord if he was on the cross. But
I would attempt a joke with him if I
ran into him chasing the money
changers out of the temple.
* Then there is the other secret.
There isn't any symbolysm [sic]. The
sea is the sea. The old man is an
old man. The boy is a boy and the
fish is a fish. The shark are all
sharks no better and no worse. All
the symbolism that people say is
shit. What goes beyond is what you
see beyond when you know.
* Having books published is very
destructive to writing. It is even
worse than making love too much.
Because when you make love too much
at least you get a damned clarte
that is like no other light. A very
clear and hollow light.
* Actually if a writer needs a
dictionary he should not write. He
should have read the dictionary at
least three times from beginning to
end and then have loaned it to
someone who needs it. There are only
certain words which are valid and
similies (bring me my dictionary)
are like defective ammunition (the
lowest thing I can think of at this
time).
* You know that fiction, prose
rather, is possibly the roughest
trade of all in writing. You do not
have the reference, the old
important reference. You have the
sheet of blank paper, the pencil,
and the obligation to invent truer
than things can be true. You have to
take what is not palpable and make
it completely palpable and also have
it seem normal and so that it can
become a part of experience of the
person who reads it.
* As a Nobel Prize winner I cannot
but regret that the award was never
given to Mark Twain, nor to Henry
James, speaking only of my own
countrymen. Greater writers than
these also did not receive the
prize. I would have been happy —
happier — today if the prize had
been given to that beautiful writer
Isak Dinesen.
* I wish I could write well enough
to write about aircraft. Faulkner
did it very well in Pylon but you
cannot do something someone else has
done though you might have done it
if they hadn't.
* Pound's crazy. All poets are....
They have to be. You don't put a
poet like Pound in the loony bin.
For history's sake we shouldn't keep
him there.
* It is by riding a bicycle that you
learn the contours of a country
best, since you have to sweat up the
hills and can coast down them. ...
Thus you remember them as they
actually are, while in a motorcar
only a high hill impresses you, and
you have no such accurate
remembrance of country you have
driven through as you gain by riding
a bicycle.
* We are all apprentices in a craft
where no one ever becomes a master.
* Forget your personal tragedy. We
are all bitched from the start and
you especially have to be hurt like
hell before you can write seriously.
But when you get the damned hurt use
it — don't cheat with it.
* If you have a success, you have it
for the wrong reasons. If you become
popular it is always because of the
worst aspects of your work.
* I learned never to empty the well
of my writing, but always to stop
when there was still something there
in the deep part of the well, and
let it refill at night from the
springs that fed it.
* If a writer … knows enough about
what he is writing about, he may
omit things that he knows…. The
dignity of movement of an iceberg is
due to only one ninth of it being
above water.
* When I have an idea, I turn down
the flame, as if it were a little
alcohol stove, as low as it will go.
Then it explodes and that is my
idea.
* You make your own luck, Gig. You
know what makes a good loser?
Practice.
* It's none of their business that
you have to learn how to write. Let
them think you were born that way.
* You're beautiful, like a May fly.
* It wasn't by accident that the
Gettysburg address was so short. The
laws of prose writing are as
immutable as those of flight, of
mathematics, of physics.
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